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Dec. 26 - Dec. 30 The Week in Patterning - 55, Pattern Tour 1943 Dress & Redingote

Alexandra Reynolds 1940's coat D40-4662 dress EvaDress Patterns redingote shirtwaist dress The Week in Patterning Storyboard Vintage Patterns

Dec. 26 - Dec. 30 The Week in Patterning - 55, Pattern Tour 1943 Dress & Redingote

Simplicity originally designated this a dress & coat pattern.  I refer to the coat as a redingote as I feel its single-button-at-waist closing really aids in revealing the dress underneath (would also be smashing with trousers underneath)!   In testing this design, I found much more ease in the redingote sleeve cap than I prefer.  It may be advisable to reduce some of the sleeve cap height no matter what size you are sewing, but see what your muslin says about that (of course).  That goes ditto for the dress sleeve. The collarless redingote is clean, yet brimming with details.  Princess...

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Dec. 19 - Dec. 23 The Week in Patterning - 54, EvaDress fabulous 40's Pattern Challenge!

Alexandra Reynolds 1940's coat dress EvaDress Patterns Pattern Challenge redingote The Week in Patterning Storyboard

Dec. 19 - Dec. 23 The Week in Patterning - 54, EvaDress fabulous 40's Pattern Challenge!

A little food for thought as you unwind for the holidays and prepare for the New Year, I have posted my next challenge well in advance as I have largely advertised it in print! Everything 40's fashion is-FABULOUS!  Suits were highly tailored for men AND women, drapery on an evening gown lent luxe details, even the humble and comfortable at-home house dress was loaded with interesting lines; everything was so well fitting. Projects may not be started earlier than 12:01 a.m. EST on February 1, 2017 although a muslin for fitting may be created any time before the challenge kick-off...

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Sept. 5 - 9, The Week in Patterning - 38

Alexandra Reynolds 1920's coat EvaDress Patterns How To My Personal Dressmaking SE20-5955 The Week in Patterning Storyboard

Sept. 5 - 9, The Week in Patterning - 38

This week's patterning went a little inside out.   I finished the 1929 coat with a habotai lining color I wouldn't normally wear (it's not my red).  Since the weave of the coat fabric is so light and open, I did the lining in this hue to keep the outside appearance of the coat very bright.  Had I used my favorite deep claret, the coat would be much darker overall. The 'inside out' occurs before having dropped this lining in so light is shed on the construction and finishing methods I used.  Take a look: As I posted early on about...

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