News — EvaDress Patterns

I recently filled an order which included this 1957 Vogue halter gown: Made me think this is a good time to re-visit a post I did summer of 2015 where I began addressing the differences in Vogue re-issued vintage patterns and their original counterparts.   Per the text I originally published in the Blogspot piece, '13 years ago, I documented my original Vogue Halter Gown pattern #9180 and being that it is a vintage pattern in public domain, I made reproductions of it available for purchase.  Not long after, Vogue came out with the 'same' design in their Vintage Vogue series (now out...

Based on 'Most Pinned' for August, the 1956 Swim or Play Suit & Skirt held a steady first among those re-pinning my patterns:   Out of nowhere, the 1934 Dinner or Street Dress followed! While the 1936 set of Hats still holds a top spot: ...and this time, the 1920's makes an appearance in the 1929 Schiaparelli-esque ensemble!

A customer in Texas sent this original in so I could create a size for her, so this style is now also offered from my collection in multiple sizes (with two sizes per sheet). Because I sized it up for her from the original size 20 (with 38" bust), it is now available from size 20/40 (38" to 40" bust) through 46/48 (for 46" &48" bust).  I anticipate taking it down to sizes 12/14 (30" to 32" bust) to include the sizes in between as well as to 52" bust.  I do not yet have a date scheduled for these...

This is the second of two new multi-size patterns in honor of my Flirty 50's Pattern Challenge, the 1953 Evening Dress: A small pleat is taken in each side of the center front skirt piece and the pleat is then lapped over each skirt front/skirt side front seam to create the box-pleats.  The same process is done with respect to the skirt back. The front and back gathered drapes are assembled and basted to the stitched bodice; then the top edges are finished off when the lining is stitched along the top edge and turned to the inside.  In the case...

This week's patterning went a little inside out.   I finished the 1929 coat with a habotai lining color I wouldn't normally wear (it's not my red).  Since the weave of the coat fabric is so light and open, I did the lining in this hue to keep the outside appearance of the coat very bright.  Had I used my favorite deep claret, the coat would be much darker overall. The 'inside out' occurs before having dropped this lining in so light is shed on the construction and finishing methods I used.  Take a look: As I posted early on about...