News — The Week in Patterning Storyboard

...an 18th Century-esque raven, that is.  Actually, a costume pattern from the 30's as a retrospective on a crinoline costume per The DuBarry Pattern Co. I modified this design to come up with a raven costume and now it is in the finishing stretch! Just a few 'teaser' (throwback process) photos until I have it all together and share it for The New Year! I plan to make the pattern available in multi-sizes in 2017.       (Funny enough, my muse perched atop a pine outside my window and 'sang' as I worked up the costume!)    

As everything in life, sewing patterns are a balancing act-especially VINTAGE patterns! After being folded for who-knows-how-long after having been treated who-knows-how by the one(s) who previously owned it and after warping the ease in the fragile tissue paper to create as careful a draft as possible, chances are a vintage pattern will be un-balanced at best. When I first started drafting from vintage originals back in the 90's, I did so verbatim.  That is, I drafted each piece as it lay on my table (after CAREFUL iron pressing) without matching the balance between front and back, side seams, etc....

I fashioned an apron from View B of my pattern A40-3250 (originally a 1945 Butterick). I did so thinking that upon entering a vintage apron challenge that we had to actually sew from the apron pattern we were posting (this was not the case).  Understand that I was in the sewing challenge frame of mind at the time just having concluded my EvaDress Pattern Challenge.  Regardless, I have a fabulous apron in fabric I have been drawn to for a few months! As I posted in the challenge: 'Had I been able to source the contrast fabric I wanted for...

Eszter from Australia!  She put together a fantastic three-piece ensemble from one of my more recent patterns. Guest juror Emily Stringham of Emily's Vintage Visions joined me once again in reviewing submissions for what was the first 1950's EvaDress pattern challenge.   We both admired the texture and color scheme Eszter put to use in her shorts, bra and shirt.  Eszter used a very 50's vintage texture in her waffled cotton shorts and what says vintage 50's like polka dots (the bra)!  As well, she fashioned her tie-at-front kimono shirt in good old fashioned gingham, both prints being in blue...

Provided McCall came out with this design (6659 in 1946) first, the pattern in my previous post (below) could have been Butterick's answer to the dress with cut-out details at the shoulder. As in Butterick's design, the McCall has geometric cut outs along the shoulder line but in non-shirred manner which draws attention to the face and this one nicely frames the neck with strappy V-neck appeal!   The cut-outs are faced for crisp, sturdy corners: Between the two designs, it may be curious how the draped short sleeve is so similar and the tendency to break up the mass...